{"product_id":"lr-baggs-stadium-di-studiograde-bass-di-for-the-stage","title":"LR Baggs Stadium DI Bass DI Pedal - Studio-Grade for Stage","description":"\u003ch1\u003e\u003cspan style=\"font-size: 1.5em;\"\u003eStadium DI™\u003c\/span\u003e\u003c\/h1\u003e  \u003ch3\u003eStudio-Grade Bass DI for the Stage\u003c\/h3\u003e  \u003cp\u003eOriginally developed by the bass playing engineers at LR Baggs for their own use, the Stadium Electric Bass DI infuses your signal with a blend of studio-grade circuitry and a vibrant palette of unique, tone shaping tools. Composed of carefully selected, “top shelf” components, the all-discrete electronics provide a level of fidelity that rivals even the most sought after studio DIs. Then engage the effects to unveil an expansive range of colorful tones shaped by just a few powerful and easy-to-use controls. Built in a rugged enclosure constructed of aluminum, steel, and ABS plastic, the Stadium DI ensures over-the-top reliability for life on the road. Hand assembled in California.\u003c\/p\u003e  \u003ch3\u003eTone Shaping Tools\u003c\/h3\u003e  \u003cp\u003eGROWL\u003cbr\u003e Unlike overdrives that employ full-range distortion, the Growl saturates a focused range of low frequencies, enhancing warmth and creating harmonically rich overtones without too much breakup. The effect compliments dynamics and is responsive to even the lightest touch, providing just the right amount of edge to cut through the mix. For added versatility, a paired Drive button pushes the Growl to a full-range overdrive.\u003c\/p\u003e  \u003cp\u003eCOMP EQ\u003cbr\u003e The Comp EQ features 3 bands of compression for bringing evenness to your tone while retaining the natural feel of your playing dynamics. The low, mid, and high frequency compressors are essentially “touch-sensitive” EQs that respond in real time as you play. The harder you dig in, the more they compress and vice versa.\u003c\/p\u003e  \u003cp\u003eATTACK\u003cbr\u003e This highly specific EQ affects a unique, medium sized bandwidth to adjust the attack of the strings for a wide range of tones, covering all playing styles. Sweep left for warmer, muted jazz tones or right for added clarity and a punchier attack.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003c\/p\u003e  \u003cul\u003e \t\u003cli\u003eGrowl control adds low end distortion for thickness and rich, harmonic content\u003c\/li\u003e \t\u003cli\u003eDrive button pushes the Growl to a full overdrive\u003c\/li\u003e \t\u003cli\u003eComp EQ enhances the feel of playing while evening out your tone\u003c\/li\u003e \t\u003cli\u003eAttack sweeps between a wide range of warmth, clarity, and everywhere in between\u003c\/li\u003e \t\u003cli\u003eFat switch boosts 150Hz +3dB or +6dB for a fuller, rounded tone\u003c\/li\u003e \t\u003cli\u003eVU meter visually optimizes gain for passive and active pickups\u003c\/li\u003e \t\u003cli\u003eAll-discrete signal path with XLR and quarter inch outputs\u003c\/li\u003e \t\u003cli\u003e48V phantom power, 9V battery, or 9V DC powering options\u003c\/li\u003e \t\u003cli\u003ePad boosts or cuts XLR out (-10dBV or +4dBu) to meet the needs of the PA\u003c\/li\u003e \t\u003cli\u003eGround lift switch effectively eliminates ground-loop noise\u003c\/li\u003e \t\u003cli\u003eRugged enclosure constructed of aluminum, steel, and ABS plastic\u003c\/li\u003e \t\u003cli\u003eIncludes custom LR Baggs carrying case\u003c\/li\u003e \u003c\/ul\u003e  \u003cdiv class=\"post-box js-tab-hidden\" id=\"tab-2\"\u003e \u003ch2\u003eStadium DI™ Reviews\u003c\/h2\u003e  \u003ch3\u003ePremier Guitar Magazine – Steve Cook\u003c\/h3\u003e  \u003cp\u003e“While the controls are simple and effective, it’s the different combinations of features that really reveal the basic reason behind the Stadium’s engineering: to give bassists lots of great tonal options and “fixes” in a DI. Rather than traditional EQ control, I like the approach of using sweeps and presets.” \u003ca href=\"http:\/\/www.premierguitar.com\/articles\/24157-lr-baggs-stadium-electric-bass-di-review\" target=\"_blank\"\u003eRead more »\u003c\/a\u003e\u003c\/p\u003e  \u003ch3\u003eBass Player Magazine – Jonathan Herrera\u003c\/h3\u003e  \u003cp\u003e“I did some tracking with the Stadium DI in my studio and used it on a couple of gigs in lieu of my go-to Neve box. In both settings, I was wowed by the box’s transparent and noise-free output with the effects disengaged. I investigated the effects in my studio and was no less impressed by their depth, naturalness and flexibility.” \u003ca href=\"http:\/\/www.lrbaggs.com\/sites\/default\/files\/pdf\/lr-baggs-stadium-di-bass-player-review.pdf\" target=\"_blank\"\u003eRead more »\u003c\/a\u003e\u003c\/p\u003e \u003c\/div\u003e  \u003cdiv class=\"post-box js-tab-hidden\" id=\"tab-3\"\u003e \u003ch2\u003eDownload Stadium DI™ Guides\u003c\/h2\u003e  \u003cp\u003e\u003ca href=\"https:\/\/www.nationalmusic.com.au\/assets\/files\/Manuals_Info\/LRB\/lr-baggs-stadium-di-users-guide.pdf\" target=\"_blank\"\u003eStadium DI User Guide\u003c\/a\u003e\u003c\/p\u003e  \u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e \u003c\/div\u003e  \u003cdiv class=\"content clearfix\"\u003e \u003c\/div\u003e  \u003cp\u003e\u003ciframe frameborder=\"0\" height=\"340\" src=\"https:\/\/www.youtube.com\/embed\/xFitnNTJWfc\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e ","brand":"LR Baggs","offers":[{"title":"Default Title","offer_id":42753275560020,"sku":"LRBSTADIUMDI","price":699.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0608\/9398\/6900\/files\/LRBSTADIUMDI_3cd3d6bf-6de5-4bd2-9106-dd5ea64f5ff0.jpg?v=1765452332","url":"https:\/\/musiciansoasis.com.au\/products\/lr-baggs-stadium-di-studiograde-bass-di-for-the-stage","provider":"Musicians Oasis","version":"1.0","type":"link"}